“On the occasion of the 1150th anniversary of the mission of Saints Cyril and Methodius to Great Moravia, the Czech Television and Barrandov Studios Prague, along with co-producers from Slovakia and Slovenia, have shot a film entitled “Cyril and Methodius – The Apostles of the Slavs“. This historical saga, under the directorship of Petr Nikolaev, is advertised as the first Czech movie in the “docudrama” style (similar to analogous historical productions of BBC).
The film publicity, however, has angered the spirits on the Balkan Peninsula, who have been focused on the following claims:
“This Czech-Slovak project is conceived as Pan-European and takes into account also the historical facts and events that have relevance for other nations, including the Poles, Russians, Macedonians, Serbs, Greeks, etc. The project was also presented to “His All Holiness” Bartholomew (Archbishop of Constantinople, New Rome, and Ecumenical Patriarch, the presiding Archbishop of the World Orthodox Church) and received a positive response.”
Firstly, a number of reactions have come from Bulgaria. As is known, the First Bulgarian Empire saved the work of the two holy brothers Cyril and Methodius by hospitably accepting a group of their disciples and appointing them as prelates, bishops and teaching priests in the medieval Literary Schools of Preslav and Ohrid to pioneer the translation of religious books to Slavic (Old Bulgarian) language, thereby spreading throughout Europe both the Glagolian Slavic script and the in situ created Cyrillic Slavic alphabet (which is today used by many nations around the globe). Hence, the Bulgarian public opinion and media have been revolted by the omission of Bulgarians among the nations which the film addresses.
Simultaneously, the Greek observers and media have been extremely irritated by the explicit mention of “Macedonians” as a nation whose ethnicity is currently questioned by both Greece and Bulgaria, due to numerous historical reasons. Greek media have also been astonished that a film with such claims has allegedly been endorsed by the Ecumenical Patriarch Bartholomew, given his firm previous position not to recognise either a Macedonian state name, nation and language (as per the steady policy of Greece), or a Macedonian Orthodox Church (as a result of its uncanonical schism with the Serbian Orthodox Church).
In turn, the media in the Republic of Macedonia have indeed been excited by the alleged “recognition” of a Macedonian nation by the Czech movie makers and the Ecumenical Patriarch. Thus, the Macedonian media did not miss the opportunity to bombard their EU neighbours with a new massive cannonade of hatred speech by using plenty of rather colourful epithets and expressions (often of racist nature) which make every untrained ear to blush from shame.
As a result of all this media noise, the Ecumenical Patriarchate has issued an official statement on behalf of His All Holiness Bartholomew to declare the following:
“In connection with mass media publications in Greece, FYROM, Bulgaria and elsewhere regarding the production of a Czech film about the life of the holy Thessaloniki Apostles Cyril and Methodius, which concern a presumed position allegedly expressed by His Holiness Ecumenical Patriarch Bartholomew, we state hereby that the Patriarch has nothing to do with the case of this film, whence we categorically deny everything published on that occasion.”
In the light of this unambiguous declaration, the most logical question is what might be the motivation which urged the cinema makers to advertise their film by misusing the Ecumenical Patriarch’s name in such a deceptive way? Is it only due to the understandable wish for adding prestige and intriguing moviegoers in order to increase public interest and resulting sales?
Observers, who are familiar with the political life in the Republic of Macedonia, suspect however some hidden reasons driven by much stronger material and political interests.
Pro-opposition Macedonian media published lists of dozens of companies and properties in the Czech Republic, claimed to be owned or controlled by Sasho Mijalkov – a cousin of the Prime Minister Nikola Gruevski and key member of his nepotistic governmental clan. Mr. Mijalkov is a graduate of the Prague University and director of the country’s secret services (Administration for Security and Counterintelligence). Macedonian authorities are extremely sensitive towards any release of information regarding this “Czech trace”. For instance, one of the opposition leaders, Mr. Ljube Boškoski, who attempted to unveil these mysterious estates in 2011, has been eavesdropped during the whole electoral campaign which ended with his immediate arrest, accusation, conviction and jailing. Then, under unclear circumstances in the prison, he signed letters of excuse to Mijalkov, Gruevski himself and his mother, whose names have been involved in the scandal. Thus, the case of Ljube Boškoski has been mentioned in the 2012 Human Rights Report of the US Department of State as an example for political imprisonment.
On this background, evil tongues on the Balkans repeatedly blamed the Czech Commissioner Stefan Füle for not applying all stringent EU accession criteria to the Macedonian EU candidacy and for alleged attempts to accept the country through the “back door”.
The above suspects have also been enhanced by the previous involvement of the Czech Barrandov Studios in co-producing of the highly controversial Macedonian film “The Third Half” which embittered the bilateral relations between Bulgaria and the Republic of Macedonia.
In conclusion, the unfortunate promotion of the recent Czech production “Cyril and Methodius – The Apostles of the Slavs”, by exploiting misleadingly the Ecumenical Patriarch’s name, demonstrated clearly how circumstances beyond the cinematography and historical truth can spoil a noble initiative. Instead of uniting people and nations to enjoy a piece of art and to celebrate together the two holy brothers and illustrious Patrons of Europe, a counterproductive effect of creating controversies and confrontation might be achieved. It seems that the human nature did not change so much between the 9th and the 21st Centuries.”
Civil society activist, political observer and
former political prisoner in the Republic of Macedonia (2007-2011).